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Takashimaya brings a Kyoto weaving house's Milan furniture debut home to three flagship stores

CASA TATSUMURA, a furniture and textile line built around Kyoto brocade house Tatsumura Art Textile's near-century-old ties to Takashimaya, moves from Milan Design Week's showroom floor to Osaka, Shinjuku and Nihombashi Takashimaya this autumn.

Warm editorial illustration of a sunlit showroom interior with a low wooden table, a folding screen and a floor lamp, a patterned textile draped over a chair, two silhouette figures.
Illustration by floortok.com

Takashimaya will sell CASA TATSUMURA, an interior line built with Kyoto weaving house Tatsumura Art Textile, at three of its stores this autumn: Osaka from September 23, Shinjuku from October 28 and Nihombashi from November 18, the department store said in a statement.

The two companies' relationship runs deep: Takashimaya acquired the clothing store once run by an uncle of Tatsumura's founder in 1898, and the brocade house's signature nishiki-obi (a formal woven sash) line has been sold exclusively through Takashimaya since it debuted at the company's inaugural exhibition in 1927. Tatsumura is now led by its fifth-generation head, Ikuo Tatsumura, who took the hereditary name Tatsumura Heizaemon.

CASA TATSUMURA itself premiered outside Japan, at a six-day showing during April's Milan Design Week that drew more than 12,000 visitors to the Maurizio Baldassari showroom, according to Takashimaya. The six-piece collection — designed by Akiko Kawamura of Eightablish and manufactured by furniture maker Karimoku — pairs Tatsumura's textiles with pieces including a floor lamp ("The An-Don"), a folding screen ("The Byou-Bu") and a low table ("The Gou-Buchi"), spanning entryway, living room, dining and bedroom settings.

The staggered rollout — one store at a time, six weeks apart — turns a single textile house's furniture line into three separate flagship events rather than one nationwide launch, the kind of sequencing department stores use to keep a heritage supplier's name in the press through the autumn selling season. It also puts a Milan Design Week credential ahead of the more familiar craft-revival pitch, letting Takashimaya sell the collection as contemporary design first and heritage textile second.